Wim Delvoye (1965) is a Belgian neo-conceptual artist known for his inventive and often shocking projects. Much of his work is focused on the body. He repeatedly links the attractive with the repulsive, creating work that holds within it inherent contradictions- one does not know whether to stare, be seduced, or to look away. As Robert Enright wrote in Border Crossings, “Delvoye is involved in a way of making art that reorients our understanding of how beauty can be created.”Wim Delvoye has an eclectic oeuvre, exposing his interest in a range of themes, from bodily function, to the Catholic Church, and numerous subjects in between. He lives and works in Belgium.
Delvoye suggests that radiography reduces the body to a machine.When he was not an active participant, Delvoye observed from a computer screen in another room, allowing the subjects enough distance to perform normally, although Delvoye has described the whole operation as “very medical, very antiseptic.”Delvoye also creates oversized laser-cut steel sculptures of objects typically found in construction, customized in seventeenth century Flemish Baroque style. These structures juxtapose “medieval craftsmanship with Gothic filigree.”Delvoye brings together the heavy, brute force of contemporary machinery and the delicate craftsmanship associated with Gothic architecture.
“D11 (maquette 1:4)” 2008
Acier Corten / Lasercut Corten Steel
117 x 270 x 127 cm